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BY JANE HIRSHFIELD A man reaches close and lifts a quarter from inside a girl’s ear, from her hands takes a dove she didn’t know was there. Which amazes more, you may wonder: the quarter’s serrated murmur against the thumb or the dove’s knuckled silence? That he found them, or that she never had, or that in Portugal, this same half-stopped moment, it’s almost dawn, and a woman in a wheelchair is singing a fado that puts every life in the room on one pan of a scale, itself on the other, and the copper bowls balance. ...

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